Memories of a Summer Puccini Trail

Dresden Opera House

With the year drawing to a close and highlights of the year lists appearing everywhere, I wanted to recall a couple of events that slipped through the blog net, before too many of the details recede into the fog of dimmed memories. In June, I traveled to Italy, stopping off in Saxony en route. Looking back over the week, it was the strains of Italian opera composer, Puccini that provided the soundtrack to this escapade with a visit to hear Manon Lescaut at Dresden Opera House and a trip to the composer's Tuscan birthplace, Lucca on the itinerary.

Iconic image: Dresden Destroyed

Flooded Banks

There  is a spot in the Berlin where Puccini rubs shoulders with Wagner and Guonod. The Deutsch Oper underground stop is lined with ceramic tiles bearing the names of opera composers. On to our base in Leipzig, from where  we took the train to  Dresden, a journey of little more than an hour for a day of sightseeing and a trip to the famous Opera House home to Semperoper. Given that Dresden had suffered such extensive bombing during the war, I  expected to find a modern city, with new architecture replacing old. A surprise then to find a cityscape magically restored to it's former Baroque splendour with  no visible cracks. No more so than in the emblematic Frauenkirche.  Extraordinary!  The elements had wreaked some havoc though and at the city quays, boats remained forlornly at their moorings cut off from their tourist passengers by high water levels.



      Promo for Manon Lescaut from Semperoper

View from Seat 71 

In the evening, we took our seats high up in the gods for a production of Puccini's Manon Lescaut. For a modest ticket price of €11.50, (secured on the day) I didn't expect much of a view but in fact it wasn't bad at all and it was perfect if (a) you are dressed not in glad rags but walking gear and (b) are prone to a little snooze after a heavy day of sightseeing. A-list conductor, Christian Thielemann directed. I include a link to a review that appeared in the online journal, Opera Critic, here.

Dresden boasted a superior class of busker with golden angels and excellent trumpeters adding colour to the scene. Undaunted by the enormous space, Arun was  pouring the strains of the Grand March from Aida into Neumarket.  It was a cheerful sight  'Ah Ireland-  he said when I paused to chat 'I came some years ago to play in  Wexford for the festival' said the young Armenian. a human face to all those press reports about wrangles between Wexford Festival and the Musicians Union

Lucca  Birthplace of Puccini

On to Italy via a cheap Ryanair flight, where we spent a few days in Viarregio, on the Tuscan Riviera. Sadly we were too early for the Puccini Festival held annually at Torre del Lago where the composer had a villa. In Lucca, the composer's birthplace, you can visit the elegant town house house he grew up in before taking in a recital at the 'never ending Puccini Festival'.  In a local initiative, Puccini e la sua Lucca, a rotating cycle of recital programmes is offered to a predominantly tourist audience. With lots of tourists in the region looking for some evening entertainment, this seems like a good  initiative- We heard

Golden Angel at Frauenkirche 

solid professional performers in a splendid baroque space, in a recital of the composer's arias interspersed with Neopolitan songs. I particularly enjoyed the solo piano fantasias on operas very well played by Diego Fiorino. It is probably stretching it though to brand it a festival which suggests a temporary extravaganza  rather than a year round nightly event.  Having come from enjoying the delights of a subsidised. full scale opera production for half the price, the tickets seemed pricey at €20 a ticket and we wouldn't have rushed back for a second night. Unfortunately the percussion sound effects of the box office counting their takings was distinctly audible at one point in the recital.

There are direct flights to nearby Pisa from Cork during the Summer and train connections from the airport to many towns in Tuscany including Lucca and Viareggio on the coast are  easy and very cheap.

Curtain Call Puccini Recital Lucca 

listen to ‘Busker plays the trumpet in Dresden’ on Audioboo

Noc Noc: It's Newfoundland

The regeneration of the Mall area in Waterford continues with the reopening of the Reginald Bar and Nightclub last month. Renamed as the Reg, there is an impressive lineup of live bands each weekend, with free admission before 11pm.
I nipped in last night to see Newfoundland, a band who played an energetic mix of folk and contemporary song with  numbers  by Bob Dylan , Arcade Fire , Mumford and Sons among the set list.
The band have recently returned from a tour in Norway where their finger picking string style went down very well. The skill level was impressive and moreover, instruments were swapped around which must keep things interesting.
  There was a good crowd and a  holiday mood prevailed Unusually for a nightclub, there were quite a few parties of parents with grown up children, home for the holidays.

Newfoundland play will have a residency on Sundays from the 12th January at The reg.

Passing of a Brass Band Patriarch

This week we remember Christy McAllister 19/11/1919 - 15/12/2013. Christy was recognised as the grandfather of Ennis Brass Band and was the patriarch of four generations of band members. We mourn his loss and share our sympathies with his family and friends. May he rest in peace.
I was honoured to be a guest of the band at their recent concert in St Columba's Church in Ennis. In retrospect the songs of farewell seem apt. What a legacy he leaves behind.


Programme 6th December
Dance of the Blessed Spirits /
Melodie Gluck arr Kreisler
Ave Maria Schubert
Ashokan Farewell Ungar

Oft in the Stilly Night Moore

Xmas Shorts: A Night of New Plays in Waterford

Just in from an interesting and entertaining evening of new theatrical writing . Titled Xmas Shorts, Trapdoor Theatre Company in association with Red Kettle TC presented five short plays by writers, Anna Jordan, Tom O Brien, Patrick Kelly and Dayna Killian.  at Central Hall Waterford. There was a relaxed collegial atmosphere in the small theatre with an audience of local thespians and friends in. Set design was simple but effective and a different projected image introduced prefaced each piece and acted as a backdrop for several.   I particularly liked the impressionist pub secene image for the Brendan Behan Standup, in which Damien McDonnell brought the curmudgeonly spirit of the playwright to life on stage through a text by Tom O Brien. The device of a penitential confessional scene was used to good effect here  and also in Dangers of Ignorance. Brian Coady had the audience in stitches in this comedy monologue by Anna Jordan. The evening     opened and closed with an ensemble piece. Emma was a dark Medea like tale featuring a real life mother and daughter. Isobel and Dayna Killian in the cast and the finale featured a set of siblings in contemplative mood as they packed up their childhood home.  Making up the set  was a two hander ghost story Marianne There was a resonating plot device with these two dramas also in the dramatic placing of a watch for characters  beyond the grave .
  With revivals and classics being the staple fare of the big professional companies, new writing has become the preserve of smaller companies and the am-dram scene and it was great to hear so much good writing delivered in a Waterford accent.

Quibbles . It is hard to read programme notes that are both in CAPITALS and in BOLD. I couldn't find any information on the event on line either on the Red Kettle Theatre Company website  or Trapdoors Blogspot. Surely the event merited a paragraph or two on the company website.

Xmas Shorts continues nightly at 8pm at the Central Hall, The Quay, Waterford

Emma Written and directed by Dayna Killian  Cast Ben Quinlan, Grainne Kavanagh Isabel Killian, Margaret Ryan and Dayna
Marianne by Patrick Kelly Director Clare Smith Cast Conor Halpin Jr Garreth Drohan 
Dangers of Ignorance by Anna Jordan director Shauna Farrell starring Brian Coady
Brendan Behan Standup by Tom O Brien  Director Robert Doherty Starring Damien McDonnell
Carpe Diem by Anna Jordan director Shauna Farrell Cast Kieran Doyle, Anita O Keeffe, Dean Sullicvan, Ciara Dower, and Jacqui Kelleher

Vladimir's Christmas Cracker at the Theatre Royal Waterford

It is quite a feat  for visiting artists who are not  household names to respectably fill any but the smallest venues in  Irish towns and cities on a midweek night and it was good to see the Theatre Royal, Waterford  packed to capacity on Tuesday night. The draw was Slovakian violin virtuoso, Vladimir Jablokov who brought his travelling Viennese Christmas extravaganza to Waterford for fourth  consecutive year. Accompanied by an ensemble including  family members with soloists, soprano Claudia Boyle and  tenor, Sean Costello, the fare was  light  and sparkling- musical miniatures with seasonal carols and popular standards. 'I hope you heard what you expected to hear tonight' said the dynamic polka prince clad in proper concert meister attire-natty tails and shiny shoes. Judging by the  reponse, the formula of musical pops laced with down home folksy charm- a whiff of the Waltons tempered with the spirit of the von Trapps -, went down a treat with this  audience, most of whom were repeat attendees.

The programme was book ended with Viennese marches and interspersed with polkas and waltzes. The vocal element opened with a duet -Vienna, City of my Dreams, familiar from the recordings of Richard Tauber. There was a nod to more modern repertoire in a 20th century carol, The Road to Bethlehem by British composer Michael Head and the Irish tradition was represented by the Wexford Carol both beautifully delivered  by rising international star Claudia Boyle. I was surprised to see microphones set up as had the doors been open, both singers could have been heard on the Quay without the aid of amplification.

Claudia Boyle Rising International Opera Star

The audience weren't slow to join in with waltzes by Lehar, Kalman and Strauss. This is after all the city that hosted an international light opera festival for many years. I couldn't help but feel nostalgic for the decade in my lifetime when Viennese  operettas were  much in vogue and a string quartet was the norm in the pit band. Indeed, I cut my  musical teeth on this repertoire and enjoyed many nights of vamping along to schmaltzy waltzes for local musical societies  in this theatre.

The second half opened with a stringent pinch of Prokofiev and it was good to hear the viola  feature after all the high treble Strauss violin lines.  A minor criticism, is that generally, the arrangements did not fully exploit the cello and viola player and volume level on the electric piano were at times a little too heavy. Like a house  party, each family member did a turn. Olga Jablokov impressively tossed off a difficult piano part of a Disneyesque arrangement of Sleigh Ride as a mere trifle. The singers let their hair down with more popular repertoire and these consummate operatic artists proved their versatility adapting their style to suit the popular numbers. There were shades of Marilyn Monroe in  Claudia's delivery of Santa Baby' in an eye popping red dress and Sean would have given the 'Velvet Fog' a run for his money in his relaxed and easy  delivery of  Mel Tormé's Christmas song.

Terrific and all as the singers were, my highlights in the second half were the instrumental numbers. Patriarch, Alexander Jablokov played variations on a traditional Russian folksong. Vladimir and  brother Anton had a lot of fun with their jazzy improvised duet version of  Mariah Carey's pop hit, All I Want for Christmas. There was a pause for moments of serenity when Mother and son Andrew presented a duet arrangement of Schubert's Avé Maria.

In this period theatrical space there was a  sense of the charm of a Victorian music hall musical evening as Vladimir did a bit of circulating around the stalls to serenade individuals. It was old fashioned light  music entertainment done with skill and charm and the audience lapped it up.

Vladimir Jablokov is an excellent player but  he combines skill with an unabashed showmanship that is quite refreshing in a classical artist.  His collaborating artists clearly enjoy working with him. Moreover he appears to have an astute sense of the whole business of marketing and building an audience.  We also liked that the set list was available free of charge without having to buy a programme.  Catch him at his last gigs on this tour  in Enniskillen and Cork

Related articles Review Wexford Opera Festival Opening Night Review


Nationwide Report on Vladimir Jablokov

Viennese Christmas Set List

1 Dostal Flieger Marsch
J Strauss, Annen Polka 
Sieczynski Vienna City of My Dreams Duet 
Strauss 11 Czardas Die Fledermaus Boyle 
Vejvoda Rosamunde Polka
Lehar Merry Widow Waltz Duet 
Kalman Ianzen Mocht Ich(Music Playing Gypsy Princess) Duet 
M Head  Little Road to Bethlehem Claudia
trad In Dulci Jubilo
Gruber Silent Night 
Strauss Tritsch Tratsch polka  strauss 11

Prokofiev  Troika
Dammicco / Bembo When a Child is Born  Sean 
Leroy Anderson Sleigh Ride Featuring Olga piano
Wexford Carol  Claudia 
Afanasieff/ Carey All I Want for Christmas Vlad / Anton 
Kudasheva  The Forest raised a Christmas Tree arr Victor Jablokov solo Alexander
Schubert Ave Maria Mrs. Jablokov 
Torrme Christmas Song  Sean
Javits/ Springer Santa Baby  Claudia 
Strauss 11 Blue Danube 
Strauss 1 Radetsky March 
Encore Brahms Hungarian Dance 5  Anton / Vlad 
Encore 2 

Preview:Events in Waterford this week

Denise Quinn is Baglady

 Play and a Pint :  Mon -Fri 6.30pm Fri 8pm Central Hall
A new Red Kettle Theatre Company production launches this week. Baglady by Frank McGuiness should prove an antidote to the tinseled jollity of the season.  The production features a triumvirate  of Waterford theatrical talents. The monologue stars Denise Quinn in her debut role  for the Waterford company.  It is directed by Frieda Ryan in her second directorial role for Red Kettle following the well received Perfidia.  Also on the team is
choreographer, Libby Seward. Baglady opens this evening and runs nightly at 6.30pm at the Central Hall on the Quay and is  terrific value at €10 for play and a festive beverage in next door Jordan's Bar.

WIT Ensembles Showcase: Good Shepherd Chapel Thurs 5th Dec 7pm
The various ensembles made up of students on WIT's degree programmes and the associated music school .  The WIT Orchestra and Jazz Ensemble are among the groups featured.

Winterval Singing Tree 

Waterford has again mounted a 'Winterval Festival' a concerted effort to inject a turbo boost of jollity to gee up  the retail heart of the city. Some ideas from the German Christmas market tradition have been imported to add some festive cheer. The olde world charm of a carousel organ sounds pervade John Robert's Square.  A pair of  magnificent looking shire horses  garlanded with jingle bells  pull a carriage along the circuit of the Mall and the Quay. Amid a proliferation of wooden huts at Cathedral Square is the Singing Tree. A set of choir steps camouflaged as a Christmas tree will see as a platform for numerous local choirs on weekends  and Wednesday evenings. There are still a few slots left on the platform Contact Jack Stephenson jack.choirs@gmail.com for more details.

Acoustic Gig at Garter Lane: American singer songwriter, Josh Ritter is in Garter Lane on Thursday.  It is encouraging to see this billed as an acoustic gig. Hopefully there will be in trend to unamplified gigs in the smaller venues in 2014.

Copper Coast Art Group Christmas Exhibition : The exhibition opened yesterday at the Coastgurad Station Tramore and runs for the next fortnight or so

Bach to Bacharach: A Week in Waterford

There was lots to enjoy in Waterford this week, e Here is a roundup of what I heard over the last seven days. There were at least as  many events again that I missed. The Van Brugh Quartet were guests of Waterford Music Club and there was ballet and Broadway musical numbers in the Theare Royal.

Sunday. Twin Cathedrals The splendid organist, Cecilia Kehoe played Bach's G minor Prelude BMV 541 in the Cathedral of the Most Holy Trinity following 12.00 Mass. It was  a busy morning for Cecelia as she was on duty earlier at the Christchurch Cathedral organ.Next week you can hear her accompany the visiting Waterford Male Voice Choir  at 12.00 Mass at Barronstrand St.

In the afternoon, the  master fiddler, Martin Hayes  was in Garter Lane with accompanist Dennis Cahill. I like Sunday  afternoon events especially in Winter when a reluctance to leave the comfort of home on dark cold evenings is a deterent. The mood was somewhat reverent for the much lauded fiddler generally agreed to be the doyen of the  lilting Clare fiddle style. I can never hear jigs and reels without longing to see some  feet to add  dancing dimension to the tunes. Speaking of feet-Who needs a bodhran player when you have  two strong feet.  Martin Hayes provided his own percussion accompaniment by stomping both of his to  the beat throughout the entire set relenting  only for  the slow airs. It wasn't an enhancing effect. He was preceded by young Tramore fiddler, Rebecca McCarthy Kent accompanied by John Grant.  With both duos, I found myself pondering on the role of the guitarist accompanists in Irish traditional music. Cahill was always subservient to the fiddle. offering a  distinctive sparse chordal drone accompaniment.  Even in jazz, the accompanying player is indulged with the occasional solo moment .

Malcolm Proud

Monday :  There was more  Bach at the Good Shepherd Chapel as part of the Mondays at the Chapel, series under the auspices of WIT Music Department. Malcolm Proud , a major player in the international early music world played a Partita (E minor) on Harpsichord. and all for free. What a shame not to see more of the music students in attendance.

Wednesday: No Bach at the Wedenesday night Ukulele Club at Downes Pub. but the mix was eclectic  This is early days for the club, which is open to beginners and improver uke players. Fancy having a go.? We will lend you uke and teach you three chords .  More details on the Deise Ukes facebook page

Friday : The Barrack Street Concert Band paid homage to the ouevre of Burt Bacharach with a gala concert at the Theatre Royal. This was by any standards an impressive production. The  large concert band provided the music. Guest vocal soloists Red Hurley and Kathy Nugent added the lyrics . Hard to believe that it was Kathy Nugent's first performance at the Theatre Royal. There was a charming children's choir and musical director, Mark Fitzgerald  paused in his baton duties to offer a lovely instrumental version of Alfie on fugelhorn.  (Oddly enough there was just one duet as an encore.)  Bravo Mark and BCB. So proud of ye!

Gig of the Week

Further on down the Mall, it was cheering to see two new ventures opening this weekend.  We were greeted by owner Trevor Predergast for a post show beveridge at  new tapas bar The Olive Tree and a  decent live band, Thank Funk were on the platform at the official re-launch of the Reginald Nightclub.  The band made up of music students from WIT were energetic but were let down by a lack of resolution in the sound system. Another way of saying -It was too loud. But I would say that wouldn't I There was a mix of age groups as punters looked in to relive their younger Gig dancing days.

Saturday: We started the week at one cathedral and finished it another. Both were designed by the same 18th century architect John Roberts  Saturday was devoted to the beguiling melismatic world  of early chant and song at a workshop facilitated by Hannah Fahey of vocal group Sionna . The event was part of the Cathedral Arts programme at Christcurch . Music though is  all about context and I felt the event would have benefited from being a attached to a  liturgical matins or evensong service.

      Gig of the Week The Songs and Music of Burt Bacharach Barrack Street Concert Band at the Theatre Royal



http://www.spectator.co.uk/features/7764343/a-hymn-to-the-organist/

Music Education Matters: Putting Music on the Curriculum

Students in Ennis NS at their first violin lesson 

I was privileged to be invited to offer some thoughts on the state of music education in schools and my article appeared last month in the Irish Examiner . You can read the full article here .




The Journal of Music posted a link to the article and added some further comment, picking up on the reference to the suggestion that the GAA school sports programme might offer a useful template . You can read that piece here. Here is the link to the GAA website outlining their schools programme




The Journal of Music points out that there is a national programme of music education launched in 2010 -Music Generation. While I am aware that the programme is being rolled out, I did not refer to it as I am commenting on what I see in my own experience. In the four counties I have recently worked in, there is no Music Generation programme . In Clare, there has been much discussion about the application process and two exhausting and unsuccessful applications  and another pending but as yet no funds. The process of pitting counties against each other in rival bids to secure funds seems to me unseemly and counterproductive.




At the initial briefings on Music Generation in Ennis, it was stated that music education in state primary schools would not come under the Music Generation umbrella. I note from statements by the Dept. of Education, that that approach has softened and indeed the Department is now saying that Music Generation programmes can happen in schools . This is a response from the department press office on a query relating to music education provision in schools

    '  Music Generation, through its work with Music Education Partnerships, co-funds a range of access programmes, including programmes that can happen within primary school. Instrument banks are also funded. Music Generation is currently a philanthropically funded organisation, but the Department of Education and Skills will begin funding it on a phased basis from 2014. 

Applying to Music Network for funds for instrument banks in my experience is not straightforward and again pits schools against groups such as local  brass bands and private music schools. In Ennis,  applications to the Music Capital scheme by two primary schools were turned down whereas a private music school was granted funds for new instruments.

While it is encouraging to read of pilot projects here and there happening in schools,  there is a danger though that by passing the responsibility, the government can use Music Generation as a convenient excuse for not funding a basic music education for all primary school students.


I believe that if we rely on extra curricular model of music tuition without the involvement of the main players in education , the primary school system,  it will continue to be accessed by the homogenous pool of students,   not too different from the group that would avail of private music tuition in any case. To quote my own closing remarks in the Irish Examiner.  'If Ireland wants to forge a common culture of participation in the arts, we need to put musical activity on the curriculum in more than a token way for all our students and not just a chosen few.' 

Related articles  A  Quality Music Education only reaches a minority of students in British Schools, an Ofsted report has said  http://www.bbc.co.uk/news/education-24942737

Α  response http://www.jsavage.org.uk/music-education/another-spectacular-failure-ofsted-music-education-deserves-better/

An inclusive approach to developing a School Orchestra  Cathy Desmond IAYO Newsnotes

http://amusosmusings.wordpress.com/2013/11/16/ofsted-music-report-blames-everyoneexcept-ofsted/

Mighty Mighty Wexford !

I've been many times to the Wexford Opera Festival but this year I saw it from a different perspective as correspondent for The Irish Examiner. My roundup of the 62nd season is here 

Impressive as the main productions were, there was loads to enjoy at the  fringe festival. I saw two of the short works which are terrific value at €25 and if you don't like them are not going to detain you too long. The one act comedy, The Sleeping Queen by Irish composer, Balfe was given a quirky Glee Club/ Horrible Histories treatment and was pleasant enough if not compelling.


 I loved Richard Wargo's Loser's.  Director, Conor Hanratty  created a familiar stage set for the tale of small town Irish life in the 50's that is right out of the  amdram world of John B  Keane complete with pictures of the Sacred Heart and Pope John. In this work, Wargo had worried less about setting Friels' text and the results were   more engaging than his setting of Winners, an earlier work based on of another  Friel story. 'I grew up with the music of Puccini and Britten and the theatre of Rogers and Hammerstein' said Wargo when I spoke to him briefly after the performance  and all those elements can be heard to in this work. The pair of settings, Winners and Losers known as Ballymore should make a very suitable work for an Irish company.  This work was one of my highlights of the festival. I was  sorry to miss Back to  Titanic, a nostalgic selection of music played on the ill fated liner. It featured Kelley Lonergan, a young singer from Clonmel one of the rising stars of the Irish operatic scene. I interviewed Kelley and hope to bring that interview on a later post.

Author Eoin Colfer 

The short works were again staged in the Presentation School Hall. This space leaves me cold. I don't find it convivial The seating is not comfortable and the view from the back of the hall is not great. I have seen local musical societies work harder to make this sort of space work. Temporary tiered seating is surely worth considering and why not a  display of old programmes and posters to liven up the foyer / school corridor.  Without the short works going on in Whites as in former years, that hotel does not  appear to be the lively festival hub it once was.

The weather was mixed this year. Racegoers had to brave the rain and wind but there was a lovely fine evening for the opening fireworks. The poetic litany in Eoin Colfer's launch speech must have included every denizen of the town and is powerful stuff. You can hear it in this link here. 

There is no doubt that Wexford do what they do very well indeed.  It might not have the heat of an Aix en Provence but it does have charm and a great range and breadth of events. I met many patrons from overseas who travel here year after year drawn by these elements . Some I spoke to expressed alarm about  the bringing forward of priority booking dates for the 2014 festival.  Prices for the main productions may not be high relative to London prices at €100 or so  but are relative to other arts experiences in Ireland.  Whether they can attract sufficient Irish patrons to ensure the near capacity houses they need to be viable will be a challenge.

listen to ‘Pete Lennon at Wexford Opera Festival’ on Audioboo

listen to ‘Helen Gaynor at Wexford Opera’ on Audioboo

Superior Scottish Ensemble at Christchurch

Southern Tenant Union Folk are  back in Ireland for  a hectic week long tour.  Above is the Scottish ensemble's appearance on the Late Late Show, that made me sit up and pay attention. I saw them last night at Christchurch Cathedral, Waterford.

The six gentlemen dressed smartly  in suits made an impressive tableau gathered around a retro style microphone. The sound was an inventive  blend of  bluegrass with other styles.  20th century film music is cited as an influence and there is a strong seam of Cuban roots music in there too. The playing is highly accomplished and the vocal blend is satisfying. The songs are intelligent, thoughtful, tending to the dark side,  many with a  political edge.  'If we only sing songs about whiskey and riding box-cars, we're finished said chef d'équipe , Pat McGarvey. You can hear his interview on the Andrew Marr show below.

At the close  the band abandoned their altar position and moved to stand and sing among the pews. It was thrilling somehow to hear musicians without the veneer of amplification however subtle. Given that audiences for live music in Waterford are sometimes less than 50, maybe we could have a little more wireless performance practice.

I am not sure whether it was the acoustic or the Scottish accents, or the amplification, but I struggled to catch the spoken introductions.   But I am very glad to have seen them. It cannot be easy travelling the length and breadth of Ireland on the darkest days of Winter.  If they were disheartened by the paucity of the attendance scattered in the pews, they didn't show it. They are brave to undertake it and worthy of our support. Tour dates are below.


Venue Notes : Christchurch is a very  elegant 18th century ecclesiastical space. With the organ pipes gleaming under the bright lights of crystal chandeliers, it didn't seem quite an appropriate setting for the style of performance, even when as well executed as it was last night. PR seemed minimal . I couldn't find a reference in local press and I learned of the gig from a poster  in a local café. 

Thur 7th Nov Bangor Town Hall, Bangor, Co Down
Fri 8th Nov Christ Church Cathedral, Waterford City
Sat 9th Nov Seamus Ennis Cultural Centre, Naul, Co Dublin
Sun 10th Nov Murphy’s Bar, Thomastown, Co Kilkenny
Mon 11th Nov Crane Lane Theatre, Cork City
Tues 12th Nov St John’s Theatre, Listowel, Co Kerry
Wed 13th Nov Allihies Copper Mine Museum, Beara, West Cork
Thur 14th Nov De Barras, Clonakilty, West Cork
Fri 15th Nov Carnegie Arts Centre, Kenmare, Co Kerry
Sat 16th Nov Upstairs At Dolan’s, Limerick City