I am just back from a week in Bavaria where in between soaking up the sunshine and alpine scenery, I caught a performance by Wuppertal Sinfonie Orchestra at the Congress Hall in Garmisch Partenkirchen. Young violinist Tobias Feldman was a very sweet toned soloist in Mendelssohn's concerto but it was the dramatic contrasts in Bruckner's 4th Symphony that made the biggest impression. Conductor Prof. Toshiyuki Kamioka had a rather dramatic podium style, almost doubling over in drawing the softest pianissimo.
In the capital, every Munchener seemed to have downed tools and taken up positions at the pavement cafés and gardens . Nothing quite so cheerful as drinking beer to the sound of waltzes and polkas played by a live oompah band. It wasn't all sunshine and smiles though. There were some grim violent scenes too. Not on the streets I hasten to add but on the set of the Bavarian State Opera production of Mussorgsky's Boris Gudonov updated to a contemporary setting. We caught up with cast member Clare tenor , Dean Power now in his second year as a member of the Staatsoper Ensemble.
Ecco di Lorenza at Vogler's Jazz Club |
Drawing Dan Foley |
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