'The Queen of Connemara': A Tribute to Delia Murphy

 'Without Delia Murphy , there would have been no Christy Moore' was the claim made by actress and writer Carmen Cullen in her tribute act to her aunt Delia Murphy , one of Irelands best loved singers and song collectors at Glór this afternoon. The event  was part of the Bealtaine Festival as a guest of Clare Arts Office.  Decades before the Clancy Brothers , Delia Murphy popularised many Irish Folk Songs bringing them to the attention of international audiences giving them a respectability at home . And what pearls were the songs she unearthed, so simple and charming that once heard they are never forgotton.  Standard party piece favourites for my parents' generation, they are ingrained in our subconscious.  The show was a mix of songs , illustrated lecture with a  slide show of old photographs with the songs delivered by Mairín O Donovan with a great degree of charm accompanied by Gerry Anderson on guitar. Carmen also read from her soon to be published biographical novel, Two Sisters Singing using a simple prop of an on stage wind up gramaphone to evoke a past era. (Carmen's mother and Delia were sisters)  Opening with The Queen of Connemara, included in the set list Courtin' in the Kitchen, The Spinning Wheel Song, The Connemara Cradle Song, Three Lovely Lassies , Down By the Glenside, Thank You Ma'am Says Dan , If I were a Blackbird and of course The Moonshiner from which the delightfully assonant title for the show, I'll Live Till I Die is taken .

There was a sizeable enthusiastic audience including many residents of Carigoran House, several of whom took to the stage to sing a couple of songs themselves before departing.  Musician and entertainer,  Nigel Bridge, County Librarian , Helen Walsh  and Clare Arts Officer, Siobhan Mulcahy were also among the gathering.

Gerry Anderson Carmen Cullen and Mairin O Donoghue

This was a delightful afternoon of entertainment  setting in context  the contribution of this colourful and important artist.


Oh if I was a blackbird, could whistle and sing 
I'd follow the vessel my true love sails in 
And in the top rigging I would there build my nest 
And I'd flutter my wings o'er her lily-white breast

Classical Twist at Glór

Young Slovakian violinist  Vladimir Jablokov brought his quintet to Glór Ennis as last Wednesday in a programe of jazz and rock infused music underpinned with a fine  classical virtuoso technique.   I have to confess to approaching midweek events at this venue with a sense of trepidation as turnouts can tend to be low regardless of the calibre of artist and it is not a cosy venue for small intimate audiences.   The audience in fact numbered a respectable  eighty or so and filled the back section of the stalls  and last row of front stalls with  a core of half a dozen of us occupying the front row.

Vladimir bounded onto the Glor stage, the epitomy of cool  in a natty silver grey piped suit with matching winkle pickers and ran through a set list drawn from his new album augmented with some from Fiddler on the Roof. He spoke a little bit about his background and his experiences of busking in Grafton Street where most of his fans will have heard him first. I first came across Vladimir in the Gaiety Theatre where his dulcimer ensemble attired in Hungarian costume entertained in the foyer of the Gaiety at a Jim Molloy production called the Great Waltz, a perfect aperitif to the sparkling fare that followed. The Slovak Festival Orchestra is another of his endeavours, a chamber orchestra of family members and conservatoire students who played with great verve and enthusiasm when I heard them at UCH Limerick. My review of Mario Lanza tribute show here. Classical Twist is a relatively new venture and having toured pubs last year including Upstairs at Dolan's last November (my review here ) is going into larger venues this year.

The show was great fun . Vladimir is a star, compelling to watch and plays with his usual exuberance moving around the stage like a stadium  rocker tempered with the charm of a salon performer.  He is very well served by his band. What a pleasure to hear Adam Kurac on a proper accoustic grand piano rather than an electric model . Kurac's arrangements and original compositions are subtle and viola players will appreciate the rich alto lines beautifully played by Stefan Balazovics. The line up includes Andrew Czibi on bass who aquitted himself very well on his first night with the band.  If I had a criticism, it is that Conor Murray on drums was a little heavy handed overall  particularly in Eleanor Rigby. Younger brother Victor Jablokov completed the quintet.

At this venue audiences tend to disperse favouring the tiered seats at the rear stalls leaving the large front stalls on the flat deserted which  creates  a distance between artists on stage and audience when numbers are less than a hundred. *
Many fans stayed to meet Vladimir  and his band members who graciously came front of house to meet and greet  following the show and while his new CD has   much to recommend it, this is one act you have to see live!

*Several artists have remarked on this as they peered out to see if there is anyone there. Sitting in the front row with a few fellow enthusiasts with a gap of yards between you and the next full row can make one feel a little isolated . A middle aged lady on my left remarked she felt like a groupie. There must be a way to consolidate the audience reduce the size of the auditorium to create a more intimate space for these events. Is there a way of curtaining off the wide wing areas  and introducing some subtle lighting so the artist can see his audience. Performers  on the stalls floor works but I presume there are logistical difficulties in moving the piano .

Independent Music Clubs Clare; Sean Tyrrell / Kevin Burke

 


  It has been a week for opera in  various forms and I am just back from Sean Tyrrell's unique traditional opera  setting of 'The Midnight Court'  at the  Frank Hayes' Island Music Club  at the Highway Inn in Crusheen. I think this is one of the most successful one man shows I have seen, both entertaining and thought provoking.  Based on the poem by Brian Merriman in a translation by David Marcus, it is an account of the age old  battle of the sexes, told  in  bawdy verse form and set to music by Tyrrell himself  in a trad' idiom.  The show opened with the spoken word but was mostly related in song to mandola accompaniment.  Although several hundred years old there were many resonances  with modern day Ireland  making it seem very  current. 



Sean Tyrrell in The Midnight Court



One was immediately struck on entering the intimate space that is the backroom of The Highway Inn by the theatrical props of masks, hats and puppets and considerable care had gone in to dressing the windows in lights and  crimson chiffon.  The use of masks to portray the hag and Queen Aeval lent an air of Greek drama and  the plot has some resonance with  the battle of the sexes in Euripides' Lysistrata.

There was something of a festival atmosphere in the Highway Inn this evening as the GAA  Crusheen  Junior A team had won a match  adding to the success of Crusheen GAA  in recent weeks  and the team were in to accept plaudits all adding to the general hurly burly of Saturday night. It was a shame that the venue was not packed to capacity as this show deserved to draw a larger audience.