Much of the first half presented a fresh take on familiar violin repertoire. Most of it worked brilliantly. Bartok's Romanian Dances sounded as though they might have been original conceived for such a duo.The familiar gems of De Falla's Spanish Dances shimmered and Kreisler's Prelude and Allegro lost some of it's pomposity- no bad thing at all. Only in a Bach Partita transcribed for solo mandolin, was I conscious of the limitations of pizzicato strings to produce the sostenuto needed to fully express the depth of Bach's Chaconne

| Ian Wilson |
Schnittke sounded a bit daunting
Not a bit.
![]() |
| Soloists with Latvian guests |
![]() |
| Photo Plaza Waterford Peter Crann |
Related Posts Preview Cathy's Reviews http://cathydesmond.blogspot.ie/2015/04/accordion-and-mandolin-globe-trotters.html
several radio interviews Marty /Arena
Béla Bartók (1881- 1945)
Romanian Folk Dances
Jocul cu Bâtă | Brâul | Pe Loc | Buciumeana | Poarga Românească | Mărunţel
Manuel de Falla (1876–1946)
From “Siete Canzoni Popolari Spagnole”
6 Canzoni Popolari Spagnole
El Paño Moruno | Asturiana | Jota | Nana | Canción | Polo
J. S. Bach (1685 - 1750)
Partita BWV 1004 in D minor / Chaconne
Fritz Kreisler (1875 - 1962)
Prelude and Allegro
Ian Wilson
Spilliaert's Beach
Alfred Schnittke (1934-1998)
Revis Fairytale
1. Chichikov’s Childhood 2. Officials 3. Waltz 4. Polka
Astor Piazzolla (1921-1992)
Histoire du Tango
Café 1930 | Night-club 1960
Nikolai Budashkin (1910-1988)
Concerto in A mino
Finale
Finale



