Is somersaulting all around the sky.
And everytime it turns another somersault,
Another day goes by.
The enduring appeal of Rogers and Hammerstein's final musical was reaffirmed as the CBS Hall was packed nightly with young and old for Nenagh Choral Society's splendid production of the The Sound of Music.
Swanky theatres are all very well but there is something magical about seeing these functional comunity spaces transported for a time, to a theatrical realm where the local players sparkle as their grease painted alter egos. The vivid colourful sets instantly evoked the Austrian Alps and we also loved the church panels with their stained glass effect windows.
There were strong performances from all the leads. Maria is such a goody goody, that usually I want to scratch her eyes out by the second scene but Emily Sheary carried off the saccharine role beautifully, imbuing her with a feisty quality . Louise Cormack as her upper crust rival was delightfully supercilious and Patrick Rohan Jnr as the expedient freeloading Max was the antithesis of Paul Shesgreen's aloof, principled Captain von Trapp. Mother Abbess, Niamh Chadwick delivered the central message of following your dream with suitable gravitas. The supporting characters squeezed every nuance from their parts. The pit vote for best supporting role was Alan O Brien who made band members chuckle every night as the pompous, guffawing Admiral von Schreiber. Director Greg Browne ignored W.C Field's advice and includes not only nine confident youngsters in the cast but also a dog adding an extra frisson to the torch bearing 'Nazi' stormtroopers parade through the audience.
|Nenagh Choral Society's back cataloque|
Some of the best singing came in the well balanced acappella liturgical numbers and the Salve Regina near the Act 1 finale was particularly fine. There was an extra vocal treat with a chorale by German composer Biebl was inserted in the concert scene for the impressive young baritone Dylan Rooney in the role of the Gauleiter Herr Zeller. One to watch out for with good stage presence to match his vocal ability. I enjoyed the less familiar trio No Way to Stop it, some of the witty lines of which are quoted above and which is often cut from stage set list and doesn't feature in the film version.
A full string quartet with double bass added an unusually rich string timbre under musical director Laura Kearney. Being part of the band and seeing the show come together in the final stages gives some sense of what an immense combined effort, an amateur musical production is. Chairman Ger McCarthy and his tuxedoed team were front of house every night with a warm greeting for patrons as they came in from the biting cold. With an intergenerational cast there was a particularly strong sense of community in this endeavour as so many elements combined to bring audience members to their feet each night at the close for a rousing sing along of the final chorus. This show is ingrained as part of our childhoods and for the many children, who came to see this heart warming production, to paraphrase the lyrics of one of Maria and the Captain's lovely duets 'somewhere in their youth or childhood, they will have seen something good'.
Looking forward to final perf. of terrific production of Sound of Music production from @nenaghchoral#Tipp 'Something Good' for all ages
— Fidleir (@fidleir) March 23, 2013
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Sr Berthe, Caoimhe Geaney, Sr Mararetta Zelda Dillon, Sr Sophia Naomi Morrissey, Sr Gerthrud Denise Maher, Liesl-Billie Kelly, Friedrich- Shane Slattery, Louisa -Eva McKeogh, Kurt- Manus Heenan, Brigitta Caroline Browne, Marta- Grace Shesgreen and Grace Brennan, Gretl Alannah Slattery and Laoise Kennedy, Rolf- Paul Browne, Franz Michael Cormack , Frau Schmidt Amy Ryan , Housemaid Ursula Mgt McGee, New Postulant Saoirse McGee, Baron Elberfeld Gerry Scanlon, Baroness Colette Horan, Frau Zeller-Susan Whelan