Music and Reviews from Clare, Limerick, Waterford and sometimes further afield

Wednesday, September 10, 2014

September Preview South East Arts Events


Here we are in mid September and the skies remain blue and knowing that chilly winds won't remain at bay for much longer makes these days all the sweeter. Here are some of the arts events on the radar this month.


Waterford Music open their new season with The Dublin Guitar Quartet in the elegant Georgian Large Room at City Hall. Contemporary Composers Taverner , Part and Glass are on the programme. There will also be a masterclass at WIT on Friday morning.

David Hennessy Musical Society present Into the Woods. This is a new musical to  me by Stephen Sondheim.  Start time is 7.30pm Tues 16 to Saturday 20 at Garter Lane . I saw Seussical a couple of years ago from this group and it stands out in my memory as one of the zingiest productions of recent years.  I am expecting very good things from Hennessy and David Hayes.

Imagine Festival Launch:  25th This quirky multifaceted arts fest brigtens the gloomy dying days of Autumn. The launch takes place in St Patrick's United Church on Thursday 25th September  at 7pm. The special  guest is esteemed editor of the Irish Times, Kevin O Sullivan who hails from Tramore.

New Ross Piano Festival.  25-28th I haven't been at any of the previous 8 festivals and I am looking forward to finally visiting this festival dedicated to the piano. Artistic director Finghin Collins has put together an attractive programme of piano recitals, master clsses   and chamber music performances. The focus this year is on wind and the Cassiopeia Wind Ensemble feature. There are specially commissioned works inspired by the Ros Tapestry by five Irish composers . The concerts are scheduled from morning to late evening and a season ticket at €110 looks like a very good deal. Soloists include young guns  Lise de la Salle and Joseph Moog as well as Collins himself of course. Melvyn Tan plays the fortepiano which is apparently not the same thing at all as the pianoforte. The evening concerts feature several pianists in each programme not just a single soloist which should make for conviviality in this more  usually solo pursuit. If the soloists sound half as good as they look it will be fabulous. 

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