Fean & Travers |
'Curiously, the musical world of the Seventies seems a whole lot closer than and certainly more acceptable -be it as kitsch or cred-than it did in the Eighties. Album covers like the works of art that sleevd Hapy to Meet and Sorry to Part and The Book of Invasions solidified the notion that here were people with a vision, people who cared about what they did- daft outfits not withstanding' . Irish Folk Trad & Blues Colin Harper, 2004
Horslips occupied an unusual place in my musical conscience, familiar more from retrospective awareness but also just hovering at the edge of my teenage musical experience. I have a dim and distant memory of hearing them at the Savoy Theatre, Waterford (now a bookshop) in the late seventies. While they made a distinct impression, I wish I could say I recognized them then as the legendary epoch making artists they subsequently became but I was a New Seekeers kind of gal with my taste more pop orientated than towards the progressive rock offerings from the aclaimed trailblazing celtic rock supremos.
Horslips |
Of
the original line up, while most pursued
alternative careers, guitar player and lead vocalist Johnny Fean has been gigging with
various line ups since the band
split up in 1980. I heard him earlier this year with the House Shakers Blues Band at
a terrific gig in the Shannon Knights
Club in Shannon and was looking forward to hearing him at The Highway Bar, Crusheen with bass player Stephen Travers best known for his work with The Miami Show Band. The guitar duo with Kossovan drummer Blendi Krasniqi played an extensive set of hits from Happy
to Meet and Sorry to Part and The Book
of Invasions with some numbers from the Zen Alligators catalogue, grass root blues and some
trad tunes on mandolin. Travers added bodhran rhythms on low bass ensuring this was trad unlike anything you might hear in the Irish music heartland of Clare.
Vocally
Johnny sounded a little strained, but the lyrics were familiar and the vocals were interludes between extended guitar improvisations rather than the other way round and it was his ace guitar
playing we had come to hear. Opening with the anthem Power and the Glory from the much lauded album, The
Book of Invasions he slowed things
down with a most unusual electric guitar take on the beautiful slow air My Lagan Love. Stephen Travers on bass
guitar was an excellent foil to the manoeuvres on lead guitar and the walking
bass on Got My Mojo Working firmly established
the sense of ensemble between the two artists, both seeming to relish the
collaboration. By the time he got to 'Further on up the Road' , Johnny was in the zone.
The Highway Bar is quite an intimate venue for an electric rock gig
but there was a sense that the punters were fans and enjoyed the intimate setting more used to accoustic gigs. The audience was a mix of 50 somethings with more concrete memories of
Horslips gigs than mine and some younger music fans coming to the music retrospectively. For once the cries of ‘Legend’ from
the younger members seemed appropriate.
Promoter, Frank Hayes of the Island Music Club
managed the difficult task of filling the venue whilst
balancing the pre-booked list and
squeezing in those that rolled-up at the last minute. Nobody was turned away even if it was a bit of a squeeze. Frank does a great job in promoting affordable live music in venues around Clare and tells me he has a number of attractive gigs in the offing.
Promoter, Frank Hayes of the Island Music Club
Frank Hayes introduces the act |
Afficionados
in the audience included a principal of a local secondary secondary school who, no doubt, has seen an amount of electric
guitar players through his doors and 'Stoney' Walls, saxophonist and vocalist with the House Shakers Blues Band. An amount of vintage Horslips t-shirts were
on display, but, reflecting the years that have passed looking a tad more stretched than when they
were first donned.
Happening
in that wilderness that is Twixtmas, Fean and Travers were perfect programming to blow away the post Christmas blues , a sharp refreshing
antidote to seasonal fare and and as long as Johnny Fean is gigging the spirit of Horslips will continue to permeate the Irish music scene. The Fean & Travers website is here.
Power and the Glory.
Fantasia (My Lagan Love)
Got My Mojo Working
Berlin Wall
Girl You Really Got Me +
Black Magic Woman
King of the Fairies/Bhíos Lá PortLairge
Further Up the Road
Mandolin Set Rakish Paddy and another
Keep On Running
Shakin All Over
Johnny's Wedding
Mason's Apron /Dingle Regatta/Polkas
Trouble
Honky Tonk Woman
Soul of Light
Dearg Duinn
Fantasia (My Lagan Love)
Got My Mojo Working
Berlin Wall
Girl You Really Got Me +
Black Magic Woman
King of the Fairies/Bhíos Lá PortLairge
Further Up the Road
Mandolin Set Rakish Paddy and another
Keep On Running
Shakin All Over
Johnny's Wedding
Mason's Apron /Dingle Regatta/Polkas
Trouble
Honky Tonk Woman
Soul of Light
Dearg Duinn
www.claregigs.com
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